Jashim Salam is a Bangladeshi photographer, who's currently working for Driknews international photo agency. He was recognized with a Jury Special Award in the 6th Humanity Photo Awards 2009 Contest, sponsored by the China Folklore Photographic Association, the Guangzhou Asian Games Organizing Committee and UNESCO. He also received awards in the 69th International Photographic Salon of Japan (Asahi Shimbun) in 2008, a honorable mention in the USA Legatum Center Photo Contest in 2009, a special award in the People & Planet photo contest 2009 in Australia, and otjers.
Jashim's atmospheric photo essay Celestial Devotion is featured by the website SocialDocumentary.net, and is about an an orphanage and Islamic school in Chittagong. The orphanage/school claims to have mentored thousands of youngsters to memorize the Qu'ran since it was established in 1970. It currently hosts some 200 orphans who share very basic facilities. According to UN statistics, 6 million students are enrolled in the madrasa system in Bangladesh.
Madrasas have received (some deservedly) a bad reputation in the West, and being synonymous with fundamentalist teachings. Some are just that, but the larger majority seem to be nothing more than institutions providing social assistance to orphans and the poor. This is not a novel concept, but one that is shared by many other religious traditions such as Buddhism, and Hindu Vedic schools as an example.
Frederic Lemalet is a French travel photographer who, evidenced by his focus on Tibet, is in love with that region. He traveled to Alaska, Indonesia, Papua New Guinea, Russia, Mongolia, Kazakhstan, China, and Nepal...but it's Tibet that seduced him
Between 2003 and 2009, Frederic spent 3 years in Tibet, documenting its culture which may soon disappear. Distributing his time between his native France and Tibet, he's currently working on publishing books, and displaying his images in exhibitions. The last exhibition was "Himalaya" and held in Montier-en-Der (north-eastern France).
His Tibet gallery has 44 photographs, with a number of lovely portraits like the one I chose above...but don't miss those of the famous Tibetan wide open spaces, and of the Tibetan pilgrim praying in a sort of crude shelter made of stones. The photographs span the four seasons; a testament to Frederic's dedication to the region.
The BBC's Human Planet is a landmark series that marvels at mankind's incredible relationship with nature in the world today. Each episode takes you to the extremes of the planet: the arctic, mountains, oceans, jungles, grasslands, deserts, rivers and even the urban jungle.
A word of caution...exploring the Human Planet website will take you a while. I've barely scratched its surface so far.
Human Planet crews have filmed in around 80 locations, bringing us stories that have never been told on television before. The team has trekked with HD cameras and state of the art gear to film from the air, from the ground and underwater.
For more on Human Planet offerings, check Human Planet Explorer Collections
One of the forces behind Human Planet is Timothy Allen. Timothy's work focus is on the remaining indigenous societies, and he devotes his time to documenting the diversity of humanity’s cultural heritage. He writes a blog for the BBC documenting his photographic work around the world for Human Planet.
In case you're interested to see what the cameras used by Timothy look like, here they are:
Photographers who produce multimedia photo essays are notoriously voice-over calamities...flat, unfunny...you name it. I ought to know...I break into a cold sweat whenever I have to do a voice-over (which is rare).
Audio will make or break a multimedia photo essay, so a lifeless or unattractive voice-over (when needed) will doom one's product.
But here's a natural talent who ought to be employed as a voice-over artist by photographers, in radio or even on television. So here's a chance to do good and employ this man!
A recent article appearing in The New York Times on music used in some of the city's yoga centers led me to the Nagore Sessions. These are Sufi chants accompanied by percussion from the Middle East and contemporary Western instruments.
While the musicians are from many different nationalities, faiths and backgrounds and came together to produce the Nagore Sessions, the singers (Abdul Ghani, Ajah Maideen and Sabur Maideen Babha Sabeer) are Sufis from India. They usually perform at religious and social ceremonies at the Sufi shrine of Nagore Dargah in coastal Tamil Nadu.
This song follows the qawwali style as it includes verses praising God, but I'm also told that it's sung in Tamil. Traditional Qawwali songs are mostly sung in Urdu and Punjabi, and a few in Persian.
Finding this is timely, as one of the highlights of my forthcoming In Search of the Sufis of Gujarat Photo Expedition™ is to document the Gujarati Siddis who have retained their Sufi heritage.
One of my long-term projects involves the various Sufi traditions in the Middle East and South Asia, and the Nagore Sessions reminds me of my work with the Gnawa (aka Gnaoua) of Morocco. These are also traditional Sufi music performers, albeit with African roots. During the Essaouira Gnawa festival, a number of international performers played fusion music alongside the Gnawa musicians....incredible mind-blowing stuff!!
I've produced a multimedia photomovieGnawa: The Sufis of Africa of some of the performers at the 2009 festival.
Elizabeth Herman is a photographer and a recent graduate of Tufts University. She's currently residing in Dhaka, Bangladesh, where she is a Fulbright Fellow. At Tufts, Elizabeth intertwined her studies with her passion for photography through "Exposure", the Tufts’ student-led documentary studies group.
Whilst in Dhaka, Elizabeth documented the annual Durga Puja. The annual event is an Hindu festival in South Asia that celebrates worship of the Hindu goddess Durga. As far as Bangladesh is concerned, Durga Puja is its largest religious festival for Bengali Hindus.
While logged on to Elizabeth's website, be sure not to miss her Women Warriors, a visual project focusing on Vietnamese women who fought in the war with the United States.
The Wall Street Photo Journal has featured a photojournalistic gem on its Photo Journal titled Vaccination Diplomacy of black & white photographs by Massimo Berutti.
In my view, it's a singular gem because it's not an Afghanistan reportage of foaming-at-the-mouth wild-eyed hirsute mujahideen aka jihadists aka Taliban (or whatever the mainstream media's stereotype flavor of the day is), isn't about a bloody military offensive or counter-offensive, and isn't about showing dead and maimed people we don't identify with and frequently demonize. No, it's about how the Taliban, Karzai's central government (corrupt as it it may be), Unicef and the World Health Organization are partnering in trying to eradicate polio through a wide ranging campaign.
This uneasy arrangement recognizes the Taliban stranglehold over large areas of Afghanistan, and the anti-polio campaigners are only welcomed in the villages if and when they show a letter signed by Mullah Mohammad Omar, the leader of the Taliban, which requests the people to cooperate. It seems that Mullah Omar promptly issues a new letter for every vaccination round, and the World Health Organization staff print thousands of copies, distributing them to the anti-polio volunteers.
So the power of reason and dialogue works, and the trite cliche of winning hearts and minds is effective after all!
"I load the bike then push it for 50 kilometers. It takes me 2 days."
Here's The Coal Cycle Wallahs story; the work of Sophie Gerrard, a British freelance documentary photographer in the UK and India who specializes in environmental and social issues.
The Coal Cycle Wallahs documents the impoverished men who haul coal along Jharkhand's steep and twisting forest roads. As the Indian Government owns all the resources under the land, these coal-wallahs are technically stealing the coal from mines...but the authorities turn a blind eye.
Jharkhand is a state in eastern India, carved out of the south Bihar in 2000. It shares its border with Bihar, Uttar Pradesh, Chhattisgarh, Orissa and West Bengal. It's home to the largest coal belt in Asia, but is been plagued by poverty, lawlessness, bad governance and corruption for over 50 years. It has experienced Naxalite-Maoist insurgency.
Sophie holds a Masters degree in Photojournalism and Documentary Photography from the London College of Communication. Her work was recognized with a Jerwood Photography Award and selected as a UK winner by The Magenta Foundation.
Her clients include The Guardian, Greenpeace International, Geographical Magazine, Foto8 Magazine, The Big Issue, and The Independent on Sunday Magazine. Her photographs are held in private collections including Coutts & Co and The Sir Elton John Collection.
As I'll be traveling on January 24 when it's officially The Travel Photographer blog's fourth birthday, I thought why not observe it today...?
I started this blog on January 24, 2007 with a post on the Ardh Kumbh Mela, which was being held in Allahabad in that year. Since then, I've posted over 2116 posts, posted about no less than 900 photographers and ranted, pontificated, expressed considered and unconsidered opinions on issues, important and trivial....gleefully aroused the ire of a dogmatic few and provoked the generous compliments of many.
I learned of new and interesting things about photography, world history, geopolitics, culture, religious and non religious traditions...I was influenced by the work of those I featured here...I was taught a few life lessons that I would never would have known otherwise....my name became synonymous in some circles with The Travel Photographer; what a case study in real-life marketing and branding this is!...and, because of the reach and popularity of this blog, my photo~expeditions got such that I had to reduce the number of allowable participants.
I made friends in the photography industry...many new acquaintances and a number of good friends across the globe...through my photo~expeditions, during my involvement in the Foundry Photojournalism Workshops, and elsewhere... I am glad to have more than 1000 "followers" on this blog, thousands of newsletter subscribers, and a thousand or so more on the social networking sites such as Facebook plus Twitter. My two self-published books have sold more copies than I expected...so life's good.
What else is there to say? I could go on and on...but I 'll summarize it by saying I look forward to the continuation of this blog's delightful journey into 2011...and I'll continue to encourage emerging photographers and photojournalists, especially those from the non-Western world...and hope to see more of them on The Travel Photographer's blog!
What's on tap for the week starting Monday, January 3? Take a look:
1. The work of a French photographer/photojournalist featuring Tibet and Kilimanjaro. 2. A photomovie by a Scottish photographer...on the Coal Wallahs of India. 3. The work of an emerging photographer on the Durga Puja. 4. An interview with an award-winning photojournalist, along with his tips and techniques.
Plus potential "shooting from the hip" posts....who knows what the first week of 2011 may bring!
As a footnote: a reader wrote me the other day complaining that the Next Week On The Travel Photographer posts were a waste...saying that he would much prefer if I was to post daily, including Sundays!!!
Here's a touching piece of multimedia that has Todd Heisler's fingerprints all over it. Heisler is the photographer of the "One in 8 Million" New York Times series that profiled 54 New Yorkers in weekly episodes from January 2009-January 2010.
Profiled in the same fashion is Beken, born Jean-Prosper Deauphin, who sings songs about despair and redemption that resonate deeply with Haitians, especially in its recent times of tragedy. Beken, who lost his right leg at a young age in a car accident, sings in Haiti’s troubadour tradition, and plays a guitar, connecting with his audience in songs of lament, humor and sometimes politics.
Singing The Suffering of Haiti is the title of the multimedia piece, and is narrated quite well by the author of the newspaper article, Simon Romero. Since I would have preferred a little less narration and more song, I would have used Beken's voice-over in Haitian, with the voice of a translator here and there. Notwithstanding, a well paced multimedia piece.
