Maynard Switzer: Dogon Mask Dances

Photo © Maynard Switzer -All Rights Reserved
Maynard Switzer has recently returned from Mali, where he attended and photographed a Dogon mask dance. These dances are performed at several times during the year, and serve to celebrate the start of the rainy seasons to bring about abundant rainfall, at the end of the harvest seasons to ensure plentiful crops, and also as funerary rituals to commemorate the dead.

Photo © Maynard Switzer -All Rights Reserved
The dances involve dozens of dancers representing figures from the animal world, male and female powers, and the after-world, while the masks represent spirits, women, midwives, witchdoctors, snakes, antelopes and other various representations.

Maynard tells me that the masks are made by boys as part of their coming of age. No outsider is allowed to see the dancers get dressed & put on their masks. The older men are dressed in dark blue, and are retired former dancers who train the new dancers.

Photo © Maynard Switzer -All Rights Reserved
The Dogon are an ethnic group living in the central plateau region of Mali, south of the Niger bend near the city of Bandiagara in the Mopti region. They are best known for their mythology, their mask dances, wooden sculpture and their architecture.

Maynard Switzer was previously featured here on this blog.

My Work: Wadha Girl

Photo © Tewfic El-Sawy -All Rights Reserved
I'm almost done with editing my images made during my Tribes of South Rajasthan & Kutch Photo~Expedition™, and have added some images (including the one above) to the gallery Traversing The Kachchh. So drop by the gallery to see these new additions.

This young Wadha girl was determined to be photographed with her pet goat. The Wadha are largely pastorals, and the particular tribe we visited are also involved in making and selling wood charcoal.

I've been asked about my editing workflow, and it's a rather simple one. I initially get a quick bird's view of my RAW images via Canon's DPP, which is somewhat clunky, but it's uncomplicated and I got used to it. I do have a copy of Photo Mechanic somewhere, but until I find it, DPP is it. I make my edits, choose the images I like...and convert these to TIFFs with no color correction etc. Just a simple conversion from RAW to TIFF.

I perform three edits; the first two are for horizontals only (which is what I mostly shoot), and the third is for verticals.

The processing of my TIFFs is mostly done using Lightroom 2.0, and on occasion with Photoshop.

Simple and headache-free (for me).

Tiana Markova-Gold: Haiti

Photo © Tiana Markova-Gold -All Rights Reserved
Here's another post on Haiti.

Tiana Markova-Gold is a documentary photographer based in Brooklyn, and graduated from the full-time Photojournalism Program at the ICP, where she was the recipient of a New York Times Scholarship. She traveled extensively in Latin America, Asia and Africa working on social documentary projects.

Her work was recognized by New York Photo Awards, PDN Photo Annual, American Photography and International Photography Awards. She also traveled throughout nine Asian countries on a photography fellowship from Johnson & Johnson, documenting various social issues.

Here, I feature Tiana's work on Haiti which depicts scenes from Souvenance and Saut d'Eau. In Souvenance, Holy Week is marked by colorful parades and traditional music played on bamboo trumpets, maracas, drums, and even coffee cans. Voodoo believers make this annual pilgrimage to Souvenance, carrying offerings to the spirits.

Saut-d'Eau is the home of Haiti's most celebrated patron saint, Our Lady of Mount Carmel (Vierge Miracle) whose anniversary is celebrated on July 16th. Saut-d'Eau is said to be the most important pilgrimage site in Haiti, with thousands of pilgrims participating in the festivities. Its waterfall is said to have healing powers, and song and music are part of the bathing ritual where pilgrims wash themselves covering their bodies with aromatic basil, dandelions, and perfumed soaps.

Peter Turnley: The Williams Club (NYC)

On March 11th at The Williams Club in New York City, Peter Turnley will step out from behind the camera for a "show and tell" on the images that have made him one of the preeminent photojournalists of our times.

The event titled Man With A Camera: An Illustrated Conversation With Peter Turnley is sponsored by the Williams Club and the Jeffrey O. Jones '66 Journalism Fellowship, which was established last year by a group of friends, classmates, and family of Jeff Jones, to honor his memory and celebrate the profession he practiced with distinction over the course of his lifetime.

Peter Turnley has photographed world conflicts in the Balkans (Bosnia), Somalia, Rwanda, South Africa, Chechnya, Haiti, Indonesia, Afghanistan, Kosovo, Iraq (2003), the Gulf War (1991), and the Israeli-Palestinian conflict.

Sharon Johnson-Tennant: Tribes of Rajasthan & Gujarat

Photo © Sharon Johnson-Tennant -All Rights Reserved
Here are three photographs by Sharon Johnson-Tennant, one of the participants in my Tribes of Rajasthan & Gujarat Photo~Expedition, which I think exemplify her distinctive multi-faceted photographic style.

Photo © Sharon Johnson-Tennant -All Rights Reserved
Sharon is a published photographer, who has traveled and trekked to various corners of the world, on remote expeditions and private explorations in the pursuit of uncommon cultures, unusual places and off the beaten path experiences. Her travels have taken her to Malaysia, Burma, Borneo, Papua New Guinea, Thailand and the Philippines. Her work has been published in various Los Angeles galleries, by Sony Pictures and featured in the movie "Hitch".

Photo © Sharon Johnson-Tennant -All Rights Reserved
According to her artist's statement, she's an absolute purist in her photography...she does not crop nor does she alter her images. Sharon finds that the simplest of visions often convey the true beauty and spirit of a person and place. This rings a chord with me, as I am a purist in my photography as well, and cropping (if not in camera) is a talent which I do not posses.

I would add that Sharon's professional background in textile design and international fashion influences her photographic acuity to the point that during our trip, I frequently wondered at what she was photographing so intently in an isolated spot. Now I know what she saw and what I didn't.

NGM's Top Ten Photo of 2009

Photo © John Stanmeyer -All Rights Reserved
Chris Johns, the National Geographic Magazine's Editor In Chief, has listed the magazine's Top 10 Photos of the Year, which starts off the process by which its best 2009 photograph is picked. The photos cover a broad range of subject matter, from unexplored caves and endangered freshwater dolphins to the global food crisis and vanishing cultures.

In 2009, National Geographic’s photographers took more than one million images from which only 1,000 could be published in the magazine. From 1,000, these 10 were singled out for lasting significance. The photographers are John Stanmeyer, James Nachtwey, Nick Nichols, Martin Schoeller, etc.

I'm always at a loss at understanding (or rationalizing) photo editors' choices, and this list is no help at all. In my view, I've seen thousands of photographs in the 2009 issues of the National Geographic that should have made the list. So I shrug it off, and call it for what it really is...a way to generate publicity for the magazine.

Aaron Huey: Mali's Dogon Country

Photo © Aaron Huey/NY Times -All Rights Reserved
The New York Times features a slideshow of Aaron Huey's photographs of the Dogon area of Mali. The Dogon, one of Africa's most isolated ethnic groups, live in the central plateau region of Mali, south of the Niger bend near the city of Bandiagara in the Mopti region. The population is estimated at between 400,000 to 800,000.

The Dogon are best known for their mythology, their mask dances, wooden sculpture and their architecture. Partly because Dogon country is one of Mali's major tourist attractions, there has seen significant changes in their social structure, culture and belief system.

Joshua Hammers' accompanying article makes a great read, especially as it is spiced with passages such as this one:

"As we prowled around this Flintstones-like world, my photographer colleague wandered off alone. Suddenly I heard a burst of agitated voices, followed by the sight of the photographer, his three cameras dangling from his neck, racing down an alley with a half-dozen Dogon men close behind. He had ventured into a temple used for animal sacrifice, and his presence, as the Dogons saw it, had grievously polluted the site."

Aaron Huey's photographs are mostly of Tellem burial caves in the Bandiagara cliffs, but a few are of the Dogon people themselves. However, Aaron has a blog in which he features more of his Dogon photographs as published in the Smithsonian magazine.