At the outset of my Tribes of South Rajasthan & Gujarat Photo~Expedition, we traveled to Ranakpur, north of Udaipur.
The Ranakpur temple is one of the most famous Jain temple in India, and is dedicated to Adinath, the first Jain Tirthankar, or saint. Jainism is an ancient religion of India that prescribes a path of peace and non-violence towards all living beings. The Ranakpur temple is made of white marble, with more than a thousand columns, none of which are alike.
Having been to Ranakpur a number of times during my traveling in India, I didn't expect to photograph much. I was pleasantly surprised at the number of Jain pilgrims we encountered during our visit, and the suffused light in the temple was very helpful. It was almost as if I was photographing under a light tent.
Holi is a festival of color and was recently celebrated all over India. This exuberant festival aims at infusing fresh hope to people as it marks the end of the winter days and the start of summer. Originally, Holi was a festival to celebrate harvests, and to give thanks for the fertility of the land.
Although Holi is observed all over the north of India, it's also celebrated with considerable zest in Vrindavan and Mathura, and other towns which are said to have housed Krishna. In Vrindavan, Holi takes place over the course of two weeks in Vrindavan, and is observed with numerous processions, folk songs, and dances.
I've just received the book Soul Survivors from its author Charlotte Rush-Bailey, who was a participant in The Tribes of Rajasthan & Gujarat Photo~Expedition, and it's certainly a wonderful addition to anyone's travel book collection.
It's essentially a tribute to the people of the Sahel, and focuses on Niger which Charlotte visited in the fall of 2005, amidst a food crisis that had enveloped that nation. Despite the food shortages, Charlotte marvels at how she was welcomed with generous hospitality everywhere she went. The book is full of lovely photographs; many of which are portraits, processed in the photographer-author's signature style.
Published and available through Blurb, the link above provides a preview of some of the book's pages. My favorite photograph of the book is the 5th on the preview strip, which is of a camel caravan. Just a perfect composition.
Charlotte Rush-Bailey's website has more of her photography.
Agnes Dherbeys is a freelance photographer based in Bangkok since 2001. She decided to take up photography as a career after graduating from the Institut d’Etudes Politiques and Sciences of Communication at the Sorbonne.
Since then, she mostly worked in Thailand, Cambodia, East Timor, Aceh), Nepal and the Palestinian Territories. She was recognized with numerous awards, and is member of the photo collective Eve Photographers
Her galleries generally depict social and humanitarian issues in South East Asia, such as Tibetans in exile (Nepal), 5 years after the tsunami (Aceh), the temple of doom (Thailand), and I chose her work in Cambodia titled The Street With No Name. This is a photo essay on the Karaoke girls in Siem Reap, and was photographed when Agnes attended Gary Knight's workshop in July 2009.
Antonio Perez Rio is a Spanish emerging photographer with a special focus on documentary and travel photography. He has two degrees in Law and Social Work, as well as a specific training in creative writing. He has traveled to more than 20 countries, and speaks Spanish, English, French and is learning Arabic.
Antonio tells me that he plans to join the Foundry Photojournalism Workshop in Istanbul (June 2010) to broaden his already considerable skills.
His Omo Valley slideshow features many of the tribes found in southern Ethiopia, including the Hamer, Karo and the Arbore. Antonio's use of flash brings to my mind the photographs made by Brent Stirton in the Lower Omo Valley.
Antonio also documented the various religious traditions of Benin, and the photographs can be found here.
For those of us who keep tabs on upcoming travel photographers, I predict we will see much more of Antonio's work.
Let's move away from the insignificance of photojournalists conducting photo tours to Haiti (and wherever else there is human misery), and contemplate the work of Ron Haviv of VII Agency who, less than 24 hours after the earthquake hit the island on January 12, 2010, arrived in Haiti without fanfare to chronicle the ensuing devastation and human suffering.
Ron Haviv's photographs will be showing at an exhibition and fundraiser on March 4, 2010 at VII Photo Agency in Brooklyn, New York. VII is also releasing a book on the Haitian disaster. All the proceeds will go to Partners in Health.
This multimedia presentation was produced by telegraph21 and the VII Photo Agency.
In my experience, Morocco is one of the most difficult places for people photography. One not only needs the technical skills of photographing quickly and unobtrusively, but also have an enormous reservoir of patience. I think that Sean Gilligan managed to pull it very well with his gallery titled God, King & Country . The title is from the 3rd image of the gallery which shows a mound of dark sand in which the words God, King, Country are inscribed in white.
Sean Gilligan is a photographer based in New York City, whose objectives are to document cultural diversity, unexpected beauty, intimacy, landscape, and individuals personalities. He has a deep connection with Africa and Ireland and has, over the years, been documenting traditional life as it coexists with modern living.
His work has been featured by CNN, Wall Street Journal, Adidas, Fortune, ESPN, Forbes, among others.
His website has been recently updated and apart from his Morocco gallery, features galleries of Paris, Mexico, Namibia and Ireland.
