
One of the highlights during my Tribes of South Rajasthan & Kutch Photo~Expedition™ was a few days spent photographing in Baneshwar during its annual fair, or mela.
The Baneshwar mela is popular tribal gathering held in the Dungarpur district in south Rajasthan. The gathering is followed by a fair held at a small delta formed by the river Soma and Mahi. It's a relatively modest event, without the hype and the attendance of the Kumbh Melas, but it's nevertheless a deeply religious gathering with simple and traditional rituals. Bhil and Garasia tribals come from the neighboring states of Madhya Pradesh and Gujarat to offer prayers to Lord Shiva, to perform pind daan, and to socialize.
Here's Baneshwar: Pind Daan, an audio-slideshow of photographs made and ambient sound gathered during the mela. Photographed in a documentary style, I chose to process the images in black & white despite their vivid colors.
The audio-slideshow was featured in my March email newsletter sent to my subscribers.
mercoledì, 31 marzo 2010
My Work: Baneshwar Pind Daan
02:33 Festivals,India,Photographers: Travel,Soundslides Leave a comment
martedì, 30 marzo 2010
Ryan Pyle: Chinese Turkestan
03:11 China,Multimedia,Photojournalism Leave a comment
Here's a feature by photographer Ryan Pyle on Chinese Turkestan, which touches on the Uyghur people and their efforts to preserve their cultural and religious practices in China.
Chinese Turkestan is now known as Xinjiang, and is an autonomous region of mainland China. It is the largest Chinese administrative division and borders Russia, Mongolia, Kazakhstan, Kyrgyzstan, Tajikistan, Afghanistan, Pakistan and India, has abundant oil reserves and is China's largest natural gas-producing region.
Its major ethnic groups include Uyghur, Han, Kazakh, Hui, Kyrgyz and Mongol.It also has a documented history of at least 2,500 years, and a succession of different peoples and empires vying for control over the territory.
Ryan Pyle obtained a degree in International Politics from the University of Toronto, moved to China permanently in 2002 and began taking freelance assignments in 2003. He became a regular contributor to The New York Times covering China, where he documented issues such as rural health care, illegal land seizures, bird flu and environmental degradation. He also has published magazine work, such as the Sunday Times Magazine, Der Spiegel, Fortune, TIME, Outside, Forbes and Newsweek.
Normally, the Muslim call to prayer is melodious but the one chosen for this piece's soundtrack is not, so perhaps you may want to turn the audio off.
lunedì, 29 marzo 2010
The Travel Photographer's 2011 Photo~Expeditions™
02:38 Photo Tours Leave a comment

I am planning my forthcoming Photo~Expeditions™ for 2011, and thought I'd write a heads-up concerning the direction these will take in the next year.
After some deliberation, I've decided to further accentuate the travel-documentary thrust of my photo~expeditions, and reduce the maximum number of participants to only 5 (excluding myself) on each trip. My recent expeditions have become so popular that they've swelled up to 9-10 participants, and generated long waiting lists. As of 2011, participation will no longer be based on "first registered first in", but will be based on a portfolio viewing and other criteria.
I intend to maximize the photo-journalism and travel-documentary components of my photo~expeditions even further, and largely focus on story-telling...and add a multi-media workshop element to them. This is the future of photography, and I fully intend to structure my photo~expeditions accordingly.
Here's an example of what I mean:
One of the photo~expeditions I intend to lead in summer 2011 is to Kashmir. I will announce its itinerary and the terms in due course, however it will be restricted to 5 photographers (excluding me).
The photographers will have visual and intellectual interest in Kashmir's Islamic culture, would have previously traveled to India, would be self-starters, have an affinity for photo-journalism & travel documentary photography, and want to work on individual projects and produce photo essays.
I chose Kashmir as an example because it's a destination that lends itself very well to both documentary photography (which is the objective of my photo~expeditions) and "pretty picturing" (which is not my aim). The overriding purpose in Kashmir will be to document its rich culture, its people and their faith. Will we photograph Dal Lake at dawn? Yes we will, but the major thrust will be on documenting the culture, and on projects of human interest.
Whether it's Kashmir, Kerala & Gujarat, Kathmandu, Havana, China, Siem Reap, Vietnam or any other of my possible 2011 destinations, carefully selecting participants and capping their number to 5, will accentuate the travel-documentary philosophy that I gained a reputation for, and will further enhance the quality of my photo~expeditions.
For further insight, here are a couple of my older posts (a) and (b) defining my philosophy behind my photo~expeditions. You'll find these quite interesting.
Here is an updated description of my photo~expeditions on my website.
domenica, 28 marzo 2010
Jan Sochor: Nukak-Maku
02:33 Brazil,Multimedia,Photographers: Photojournalists Leave a comment
Jan Sochor has documented the Nukak Maku people, a nomadic indian tribe from the Amazon, who were driven out of the jungle by the Colombian guerrilla and paramilitary squads. More than half of the Nukak population have died of western diseases like flu. In refugee camps, the Nukak are taught from (mainly Christian) aid workers concepts and habits that were never part of their tradition.
Jan is a freelance photographer, working between South America and Europe. He lived and worked in Chile, Colombia, Costa Rica, Spain and the Czech Republic during the past five years. His photographs and stories have appeared in numerous magazines, newspapers and websites, including Sunday Times, National Geographic, Reuters, Burn magazine, Foto8, 100Eyes, UNESCO, Boston Review, PDN online,and others.
I've always considered proselytizing by any religious group to be an abhorrent practice...hand in hand with racism and bigotry.
Found via The Click
sabato, 27 marzo 2010
Gloria: Maestra de la Guelaguetza
02:29 Mexico,Photo Tours,TTP Show Off Leave a comment


During the Oaxaca Mini Photo~Expedition™ last week, we attended a Guelaguetza performance at one of the town's old hotels. I managed to get our group in the dancers' dressing room just before the performance, where we were introduced to Gloria, an experienced dancer who was dubbed "La Maestra" by the rest of the dancers.
Although heavy-set, Gloria had the flexibility, energy and liveliness of dancers half-her age, and she deafened us with her rhythmic whistling during the most frenetic parts of the dances. A real professional, with a wicked sense of humor.
La Guelaguetza is a perfomance of traditional dances from the seven regions of the state of Oaxaca. The performance is a re-creation of the original dance steps and music passed down through the generations. Dancers, and even musicians, wear costumes representative of their respective district, which are decorated with ribbons and sometimes bells.
The origin of the Guelaguetza dances dates fro pre-Columbian traditions, and the word "guelaguetza" is originally Zapotec Indian which means an offering or gift. In the true spirit of guelaguetza, the dancers at the end of their performance toss gifts, usually of fruits and vegetables, into the crowd. These offerings represent their region's specialty and include straw hats, flowers, mangoes and even pineapples.
This is what I described in my earlier POV post, and the fruits were eagerly awaited by some poor Zapotec children watching the children Guelaguetza.
Here's my gallery of La Guelaguetza photographs, made in 2007, which has additional details.
venerdì, 26 marzo 2010
Canon 5D Mark II: ATR6250 Microphone
02:46 Hard Gear,Multimedia Leave a comment

Further to my post on microphones for the Canon 5D Mark II, and having decided to add one to my audio equipment, I walked over to B&H (see note below) today and bought the Audio-Technica ATR6250 Stereo Condenser Video/Recording Microphone.
This is an extremely affordable stereo microphone, and I thought it would be ideal for use either on my Canon 5D Mark II or with my Marantz audio recorder. It has a bunch of accessories, most of which I don't think I'll use, except for the hot shoe adapter.
In my earlier post, B&H recommended a couple of microphones such as the Rode VideoMic, Stereo VideoMic, and the Sennheiser MKE 400. The latter in particular seems to be quite popular with photographers, however it costs $200 whereas my new ATR6250 is only $32. I compared the specifications, and what I made of the differences were not enough to warrant the increased cost as far as I am concerned...except for the coiled cord (which the ATR doesn't have).
Naturally, I will continue to record audio with my Marantz PMD620, but use the microphone when I need to shoot video since the Canon 5D Mark II built-in microphone just doesn't cut it. I will post my impressions as soon as I can.
* I'm not affiliated with B&H in any way. The Audio-Technica ATR6250 is also available at many other stores, on-line and otherwise. I only mentioned B&H because that's where I got it.
CNN: Haridwar Kumbh Mela
02:44 Festivals,India,Multimedia,Photojournalism Leave a comment
CNN brings us this short video, which was produced by Alex Zolbert, who traveled by train north of Delhi to witness and photograph the Dvitya Shahi Snan, or Second Royal Bath, on March 15, at the Ardh Kumbh Mela.
Photographs by Palani Mohan are included in the piece. Palani's photographic career started at the Sydney Morning Herald newspaper, and since then he has been based in London, Hong Kong, Bangkok, and now Kuala Lumpur. Malaysia.
As I wrote on my earlier posts about the Hardiwar Kumbh Mela, exuberant hyperbole (and imaginative press releases) describe it as the largest gathering of humanity. It is not. The distinction belongs to the Maha Kumbh Mela which occurs after 12 'Purna Kumbh Melas', or after every 144 years. It was held at Allahabad in early 2001, and was attended by over 60 million people, making it the largest gathering in the world. I would also say that, in my opinion and having been to both Allahabad and Hardiwar, that the latter is an unappealing city and its ghats are not photogenic.
Whether it's over-hyped or not, all of the photographers who attended it over the past few weeks had a wonderful time, and captured magnificent images.

